When NBC's chosen ones wash out it seems like they don't even know what to do: "oh shit, Shiffrin is out. Let's show a replay of Nathan Chen instead of continuing to show a live medal event."
When NBC's chosen ones wash out it seems like they don't even know what to do: "oh shit, Shiffrin is out. Let's show a replay of Nathan Chen instead of continuing to show a live medal event."
I rolled the Peacock highlights this morning to watch SB. Everything is there.
Do you really think they have some random Chinese Director who has never worked on winter sports, directing a bunch of local cameramen?
All the best directors in the sports industry are there working, seasoned camera men who shoot nothing but ski racing, or ski jumping all season are there working.
OBS, the Olympic Broadcast Service has been working on the project for 6 years planning the operations, the camera placements, the shots.
The directive to include landscape and local culture and elements is the same at every games, but to speak like it’s local workers who don’t know what they are doing shows the ignorance on your part.
Nope not at all. I know they hired the best and brightest.
It appears the best and brightest got overruled in some aspects of their camerawork though. Explain to me the side view tracking shot of the mogul skiers. Explain to me the tight shots of the halfpipe riders with no reference to the coping or bottom of the pipe. Those are neat for replays, but not for the live action shots, and there's good reason they've never been filmed that way before. I will unequivocally defer to the TV and camera professionals working the games expertise, but that doesn't mean that they're right.
We've had shitty camera views in other sports because the experts wanted them too. Behind the basket floor level view in basketball, the early days of the camera hanging from the cables in NFL, and shitty tech too like the puck tracer.
I still call it The Jake.
Don't judge the NBC coverage by the summary feed. There's so much more available. Entire events including quals.
I think it is likely a combination of things:
What is different about this games is that the Chinese government likely has a tight grip on everything that is shown and is looking over the shoulders of those directors and camera operators to ensure venues are framed how they want to be seen.
There also may be a director or two that are trying to do more "experimental" views of some competitions instead of the tried and true shots of past events. You know.. "because the Olympics is special and progressive" there has to be a new twist to what we are watching.
<p>
Aim for the chopping block. If you aim for the wood, you will have nothing. Aim past the wood, aim through the wood.</p>
It's difficult, but I'm ready to just stop focusing on Mikala and let her do (or not do) what she believes is best for her.
Looking forward to the other events with zero expectations and hoping for surprises, GOOD surprises!
Go that way really REALLY fast. If something gets in your way, TURN!
<p>
Aim for the chopping block. If you aim for the wood, you will have nothing. Aim past the wood, aim through the wood.</p>
NBC did leave the day-old analysis of Chen's skate to cut back to that incredibly painful interview (props to her for even giving it) and I was full on expecting a moment like when NBC's own Christin Cooper drove US skier Bode Miller to tears in a cringe-worthy interview after his bronze-medal win in the men’s super-G at the Sochi Olympics.
Whoever did the interview did repeat the first and only question he asked, which she answered, "what are you processing"? but then thankfully let off.
I still call it The Jake.
99.9 percent of the viewing population watching the mogul events have never skied before. The camera angles and cuts are designed to appease the lowest common denominator. These are people who watch a skiing event every 4 years.
We are critical of how the skiing/snowboarding is being produced as we are self proclaimed experts in the sport.
I watch the skeleton events and think it’s great, while my sliding buddy who works in the sport thinks all the camera angles suck. I only watch sliding every 4 years and can’t really tell a difference.
Any weekend I can turn on a World Cup Alpine ski race, and within 2 racers tell you who the TV director is, based on their style. Working in the industry I can be super critical of the camera placements, the shots and cuts because I know, and can see the differences.
And as I said in my previous post, I defer to your expertise.
And I realize that the Olympics tv coverage is catering to a larger, different crowd than the one who tunes into the World Cup stops, but again, it doesn't make the angles/shots suck any less.
And I can say this authoritatively, because, as you accurately point out, we are the experts on this sport.![]()
I still call it The Jake.
I didn't like the constant sideways feed for moguls, but I did appreciate that angle to see how fast they were going and the steepness of the course. Can't get that just from a straight on view...all I see there are knees. POV shots great too especially on the jumps...gives you a perspective of the landing.
Need to mix it up with constant switching shots perhaps.
That sideview is cool, I just wish they would use it for replays and post run analysis instead of the main live view during the run.
MS will be well rested for the next event. Never under estimate the heart of a champion
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