
Originally Posted by
Alkasquawlik
You see, the nature of that argument comes entirely from one's perceptions. So first off, is a logo at the beginning of a film, placed within the boundaries of the film, an actual "advertisement" with the intent of selling more products? I could point you to a hundred years of marketing studies that show there is no direct correlation between advertisements and selling products. Or are theses logos simply acknowledgment of being producers of the film, i.e. every Hollywood film ever listing the funders of the film as Producers and Executive Producers. The main difference is those Hollywood producers are specifically looking for a return on investment thru film distribution. How exactly are corporations looking for a return on their investment when they are films given away for free online like The Fifty? Well we go back to the advertisements argument. But within my series, are their endorsements of products and / or direct influence of products within them? If you look carefully, I am very very careful to never use language to promote or endorse products within these boundaries. So how exactly is the series 'commercial'? There are no endorsements in Wilderness land, the logos could be argued to be simply 'producer credits' with zero return on investment and these producers are funding this project because they see it as a good for skiers, the sport and the mountains. I know this last argument sounds far fetched, but I've had plenty of companies I work with say they don't use athletes to sell products, but to make sure the sport at the highest level is continuing to evolve and inspire the next generations of skiers. I mean, where would you all be if Scot Schmidt, Glen Plake, and / or McConkey didn't exist? I know I wouldn't be nearly as drawn to the sport if I didn't get to watch movies, read magazines and continually be inspired by the stories, athletes and places of skiing.
I mean, this is how it could be argued, and are along the lines of some of the arguments I've utilized successfully. This gets deep into the woods and I totally see one could easily argue either side in the court of law. One of the most successful of my arguments was telling a NPS employee that wanted to deny me a permit because even if I removed logos, I was still a professional skier, therefore I could benefit from imagery on public land. I said and noted down that what they were telling me is that if I was an independently wealthy rich kid, I could shoot movies on public land, but because of my job, I cannot. It wasn't a legal thing at that point, just a moral thing. Which ultimately is why Price vs Barr won because the NPS was issuing citations and permits based upon character of content, character of individual and what their source of income was, which proved to be a massive violation of the government not infringing individual speech.
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