Leave it to the French to be dramatic about this kind of stuff… No really, Hugo Manhes’s project “Un Skier en Feu” (A Skier on Fire) is a stark and important visualization of climate change and its impact on how we play in the mountains. Sure, statistics like the fact that the snowpack on France’s Porte Pass has decreased by 40 percent in three decades, the average winter temperature increasing by a full degree, and many more might get the attention of some, but at this point maybe we do need to be doing more to get the attention of leaders and those who can make a difference. OK, maybe we don’t need to set ourselves on fire and rip down mountainsides, but the message is clear: we cannot take our current state of being for granted.
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VIDEO: The 10 Worst Crashes On the 2021 FWT
VIDEO: The 10 Worst Crashes On the 2021 FWT
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Max Ritter
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Ski
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4K
Ouch. It’s one thing to be skiing and riding as aggressively as the athletes on the Freeride World Tour, and it’s an entirely different thing to be crashing as hard as they (sometimes) do. Competing at the highest level leaves very little margin for error, and that’s pretty clear if you watch some of the bails from the 2021 Tour. There’s everything from 60-0 in a matter of inches (shoutout Aymar Navarro and that snowbank) to folks going SPLAT off gigantic airs (shoutout everyone else). Hope
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Half the reason we watch the Freeride World Tour is for the cliff drops. These athletes have an uncanny ability to link up lines that only mountain goats would climb, and we’re always wondering how they do it. Take a peek at this year’s best drops, which are spicier than your favorite 5-star curry.
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VIDEO: What Inspires TGR Photographer Nic Alegre In the Field?
VIDEO: What Inspires TGR Photographer Nic Alegre In the Field?
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Teton Gravity…
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Ski
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1.1K
To award-winning TGR photographer Nic Alegre, countless different ingredients need to come together to create a shot that truly has the power to inspire. For him, the goal is to create the best art possible, and that requires athletes to perform, conditions to line up, and gear he can rely on, like f-stop’s camera bags. When composing a shot, his first priority is capturing light - and capturing it in a way that makes the athlete secondary to what’s going on in the environment. Ultimately,