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  1. #26
    Join Date
    Aug 2007
    Location
    Middle of the NEK
    Posts
    5,754
    Anybody else?

    Aim for the chopping block. If you aim for the wood, you will have nothing. Aim past the wood, aim through the wood.
    http://tim-kirchoff.pixels.com/

  2. #27
    Join Date
    May 2011
    Location
    CO
    Posts
    2,206

  3. #28
    Join Date
    Sep 2006
    Location
    Seattle
    Posts
    880
    Ford Truck by cbkoontz, on Flickr

    IMG_3766 by cbkoontz, on Flickr
    Last edited by ridinshockgun; 04-20-2015 at 06:23 PM.

  4. #29
    Join Date
    Apr 2012
    Location
    ¯\_(ツ)_/¯
    Posts
    11,698
    Shit. Shot one last night, but I'm not going to be able to post it until tomorrow morning at the earliest.

  5. #30
    Join Date
    Aug 2007
    Location
    Middle of the NEK
    Posts
    5,754
    Quote Originally Posted by Phildo_Baggins View Post
    Shit. Shot one last night, but I'm not going to be able to post it until tomorrow morning at the earliest.
    Just post it. This MPC needs more entries!
    Aim for the chopping block. If you aim for the wood, you will have nothing. Aim past the wood, aim through the wood.
    http://tim-kirchoff.pixels.com/

  6. #31
    Join Date
    Apr 2012
    Location
    ¯\_(ツ)_/¯
    Posts
    11,698
    2)

  7. #32
    Join Date
    Jan 2006
    Location
    Carbondale
    Posts
    12,478
    LOVE this one... wish I had been paying attention.
    www.dpsskis.com
    www.point6.com
    formerly an ambassador for a few others, but the ski industry is... interesting.
    Fukt: a very small amount of snow.

  8. #33
    Join Date
    Jun 2006
    Location
    New Zealand
    Posts
    1,495
    Alright, I think I'll close this off and put up a voting thread. Some superb entries.
    Gallery || Facebook || Instagram
    Go that way, really fast...if something gets in your way, TURN!

  9. #34
    Join Date
    Feb 2007
    Location
    righthere/rightnow
    Posts
    3,161
    Quote Originally Posted by Fuzz View Post


    The things that strike me about his scenes are:
    • Straight-on -- he rarely shoots at an angle, almost always shooting straight-on; almost no depth.
    • Symmetry with a twist -- most of his shots are quite symmetrical, but he also manages to create a bit of imbalance to break the symmetry, either with colour, pattern, numbers, size, contrast, etc.
    • Attention to colour -- he pays attention to the colours present in each scene (usually minimal, often complementary or analogous) and you definitely notice the colours.

    Always though the was following in Kubrick's footsteps, he has original storylines but always seems to be riffing on Stanley's photo ideas. Sorry I missed out on this shoot.

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